The Eye That Never Sleeps
If you want my new novel, The Eye That Never Sleeps, and can wait until the release date, May 2, pre-order it now from the publisher, Black Rose Writing, at a 15% discount from the retail price of $18.95; it will ship on May 2. The e-book will be available soon after that date. The more sales I have online, the better. I will sign copies later on request. If you can't wait, buy a signed author's copy from me now at $20.00 + postage.
Did you ever have a friend who at times acted like your enemy, or an enemy who at times became your friend? The Eye That Never Sleeps tells the story of just such a friendship. To be released May 2, this is fourth title in my Metropolis series of historical novels set in nineteenth-century New York. Detective Sheldon Minick, one of the two main characters, is already known to readers of my novel Bill Hope, for characters in the series turn up in more than one novel.
Summary: Hired by the city’s bankers to track down and apprehend the thief who is plundering their banks, private detective Sheldon Minick develops a friendship with his chief suspect, Nicholas Hale, an elegant young man-about-town who is in every way the sober Methodist detective’s opposite. They agree to a truce and undertake each to show the other the city that he knows and values. Further adventures follow, including a cancan, a gore-splattered slaughterhouse, and a brothel with leap-frogging whores. But when the truce ends, the inevitable finale comes in the dark midnight vaults of a bank.
This is not a standard detective story. Sheldon Minick is a bit scared of women, wears elevator heels to add to his height, and loves to belt out Methodist hymns at church (though he leaves the praying to his wife). He is fascinated by Nicholas Hale, who is young, dapper, free-spending -- a risk-taker, deft with women, bisexual.
Gay Slang of the 1950s,
plus Thoughts on Camp
Self-conscious subgroups have always had a lingo of their
own, and that has certainly been true of gay people, especially when they
constituted an underground society, hidden from the majority straight world but
known to the knowing few. Gay men needed their own society and slang, for the straight world – with exceptions –
viewed them with scorn and distaste. Or worse still, with pity. Here are some of the straight world’s terms
for gay males back in the 1950s, ranging from the least to the most offensive.
1.
Homo
2.
Queer
3. Faggot, fag
4.
Fairy
5.
Pervert
6.
Degenerate
To which I might add "fruit" and the adjective "fruity," except that today I wouldn't add it at all. Instead, I can imagine a gay kid saying, "Fruit? What's wrong with being soft, ripe, sweet, and good to eat? I'll buy into that, you bet!"
When I first entered the gay world in New York in the 1950s, I learned its lingo effortlessly, picking it up from gay friends and from the talk in gay bars. Using it made you feel special and in the know; it stamped you as a member of your tribe. So here are some of the terms I learned. I suspect that some are still current today, and others forgotten or remembered fondly as “quaint.”
When I first entered the gay world in New York in the 1950s, I learned its lingo effortlessly, picking it up from gay friends and from the talk in gay bars. Using it made you feel special and in the know; it stamped you as a member of your tribe. So here are some of the terms I learned. I suspect that some are still current today, and others forgotten or remembered fondly as “quaint.”
butch / nelly: a masculine / feminine gay person (also used as adjectives)
queen: feminine gay guy (often used loosely for gay men generally)
fluff: nelly
(used by the macho leather jacket crowd for non-leather gays)
trick: a gay guy you’ve had (or hope to have) sex
with (as in “to pick up
tricks”)
an ex: a gay guy you once had sex with (“one of my exes”)
trade: hetero males willing to have sex with gay
guys (often with a suggestion that they are latently gay,
as in the saying “Today’s trade is tomorrow’s
competition”)
rough trade: violence-prone
trade
S and M: sado-masochism (a
kind of cult among some gay men)
hustler: a male prostitute
chicken: a young gay guy new
to the game, innocent
swish: an effeminate gay man (also used as a verb and adjective)
swish: an effeminate gay man (also used as a verb and adjective)
auntie: an older gay guy
(pejorative)
sea food: sailors
jail bait: a gay kid below the age of consent
fish: a woman (pejorative)
fish: a woman (pejorative)
fag hag: a hetero woman who hangs out with gay guys
(not pejorative)
blow job: oral sex
69: simultaneous oral sex of
two male partners (a verb and adjective)
tea room: rest room, john
to cruise: to go looking for
a partner for sex
to camp: to talk or behave in an ostentatiously gay manner
The term “camp,” whether a verb, an adjective, or a
noun, is of unknown origin, though many origins have been proposed. Be that as it may, it has quite a
history. I first knew it in the 1950s as
a gay verb, as just noted. By the 1960s
it was used more broadly in the meaning of “excessive” or “over the top,” and
as such was akin to “theatrical” and “artificial.” It might or might not be pejorative, but often
suggested a trendy and “with it” pattern of behavior. Very influential was Susan Sontag’s 1964
article “Notes on Camp” in the Partisan
Review. She defined “camp” as “one
way of seeing the world as an aesthetic phenomenon,” but went on to call it
“failed seriousness,” which some have labeled not “camp” but “campiness,”
meaning frivolous and “so bad it’s good.”
For some, it was identified not only with artifice and ostentation, but
also with naïve middle-class pretentiousness, in which case the trendy became
teasingly pejorative.
Carmen in all her glory, in The Gang's All Here, 1950. |
One example of “camp” cited by Sontag was singer and movie star Carmen
Miranda, "The Brazilian Bombshell," whom I recall appearing in old musicals wearing tropical fruits that came off as outrageously and implausibly funny. In time, “camp” came to include drag
queens and other performers like Dame Edna, Divine, Boy George, and
Liberace. And if some of those names don’t
register with you, it shows how the concept has morphed over time.
Dame Edna in 2012. Dame Edna |
Liberace in 1974. Allan warren |
“Camp” is ambiguous, elusive. One may well ask if it is frivolous or
serious, or a combination of both. Is it a gay term or has it lost that
connotation? Is it trendy or hopelessly
dated? Ask a dozen historians, and you’ll get a dozen answers. So I’ll leave it to younger generations to
use the term as they wish, or to bury it in oblivion. But let’s face it, “camp” has always been
fun.
© Clifford Browder 2019
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